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Asha Parekh The Hit Girl
Asha Parekh The Hit Girl

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Details for Asha Parekh The Hit Girl

Asha Parekh was to the movies born. Ever since she was knee-high, she faced the camera as a child artiste, while performing simultaneously at dance fetes. An alumnus of Bombay’s The J. B. Petit Girls’ High School, she devoted after-school hours to learning classical dance from exacting gurus. Given a break as a leading lady by Filmalaya Studio’s Sashadhar Mukherjee, she debuted opposite Shammi Kapoor in the romantic entertainer Dil Deke Dekho. Instantaneously, the audience and the critics agreed: “A star is born.” Followed a concatenation of silver and golden jubilee hits, which established her as the quintessential Hit Girl. Possessed of all the requisites of the cinema of the 1960s and the ’70s – felicity at instinctive acting, intricate dance skills and the ability to invest conviction into the roles of zestful, glamour-exuding film heroines – she made an impact, too, with parts demanding gravitas. Apart from films in Hindi, she has also acted in films in Gujarati, Punjabi and a film in Kannada. The Mumbai film trade, to date, acknowledges her as one of the heroines with the highest number of successes. Her innumerable dance ballets on stage have earned her untold acclaim, at home and overseas. Among her other facets, she has been involved since decades in running a charitable hospital. She was Chairperson of the Central Board of Film Certification (1998-2001) and has been associated with the Cine and TV Artistes’ Associations and other organisations dedicated to the welfare of film industry workers, technicians and actors. She turned producer and director with several top TRP-rated TV serials like ‘Kora Kagaz’ and ‘Palash ke Phool’ and programmes like ‘Baaje Paayal’. Currently she has chosen to retire from acting, but adds, “Never say never.” She lives by the famed Juhu shoreline in Mumbai.

About Khalid Mohamed

Khalid Mohamed started as a teenaged reviewer for the film society magazine Close-Up. He then covered crime, politics and the arts for Mumbai’s Times of India from the mid-1970s on. His reviews were feared for nearly two decades for their forthrightness. Appointed Media Editor of the paper, he was next Editor of Filmfare for nearly a decade. Simultaneously, he retained his portfolio as the daily’s film critic. During his 27 years with The Times of India, he reviewed television for Economic Times, besides contributing articles to the Illustrated Weekly of India and Femina. His writing has also featured in India Today, The Indian Express, Stardust, Society, international film weekly Variety and in London’s Sunday Observer. Subsequently, he was associated with television film programmes Movie Mahal on Britain’s Channel 4 and Portraits of Directors for Doordarshan. He was film critic for Mid-day, Senior Editor of DNA, the newspaper, and National Culture Editor and film critic for Hindustan Times. Currently, he is Consulting Editor to the Deccan Chronicle media group. He wrote To B or Not to B, a book on Amitabh Bachchan, five years ago, and translated eminent painter MF Husain’s autobiography from Hindustani to English. He has written the original stories and screenplays for three Shyam Benegal films: Mammo, Sardari Begum and Zubeidaa. He wrote the original stories and screenplays and also directed the films Fiza, Tehzeeb and Silsiilay. He debuted recently as a playwright and director of the stage play Kennedy Bridge.

Other Books By Khalid Mohamed

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